Museum Films at Home: Virtual Cinema

Museum Films is partnering with our favorite independent distributors to deliver the best of new world cinema straight to your living room! 

NEW THIS WEEK:

John Lewis: Good Trouble (Dawn Porter, USA, 2020)

WATCH NOW
 
Also screening in the Noble Theater, July 10-16. 

We Are Little Zombies (Makoto Nagahisa, Japan, 2019)

Bungalow (Ulrich Köhler, Germany 2020) 

Elliott Erwitt: Silence Sounds Good (Adriana Lopez Sanfeliu, France, 2019) 

Screening with One Thousand Stories: The Making of a Mural

COMING SOON:

Beats (Brian Welsh, UK, 2019)

Passes available July 17.

Also screening in the Noble Theater, July 17-19.

The Audition (Ina Weisse, Germany, 2019)

VIRTUAL CINEMA SPOTLIGHT – INSPIRING BIOGRAPHICAL DOCUMENTARIES:

• Diana Kennedy: Nothing Fancy (Elizabeth Carroll, USA 2019) 
• Elliott Erwitt: Silence Sounds Good (Adriana Lopez Sanfeliu, France, 2019) 
• John Lewis: Good Trouble (Dawn Porter, USA, 2020)
• The Times of Bill Cunningham (Mark Bozek, USA, 2018)

ALL VIRTUAL FILMS:

• The Booksellers (D.W. Young, USA, 2019)
• Bungalow (Ulrich Köhler, Germany 2020)
• Deerskin (Quentin Dupieux, France, 2019) 
• Diana Kennedy: Nothing Fancy (Elizabeth Carroll, USA 2019) 
• Elliott Erwitt: Silence Sounds Good (Adriana Lopez Sanfeliu, France, 2019) 
• Fourteen (Dan Sallitt, USA, 2019) 
• Hill of Freedom (Hong Sang-soo, South Korea, 2014)
• Joan of Arc (Bruno Dumont, France, 2019)
• John Lewis: Good Trouble (Dawn Porter, USA, 2020)
• One Small Step Animated Shorts Program (Shorts TV, 2020)
• Quarantine Cat Film Festival, (Brian Mendelssohn, USA, 2020) 
• Shirley (Josephine Decker, USA, 2019) 
• Someone Somewhere (Cédric Klapisch, France, 2019) 
• The Times of Bill Cunningham (Mark Bozek, USA, 2018)
• Tommaso (Abel Ferrara, Italy, 2019) 
• Vitalina Varela (Pedro Costa, Portugal, 2019)
• We Are Little Zombies (Makoto Nagahisa, Japan, 2019)
• The Wolf House (Cristóbal León and Joaquín Cociña, Chile, 2018) 
• Woman on the Beach (Hong Sang-soo, South Korea, 2006)
• Yourself and Yours (Hong Sang-soo, South Korea, 2016)

HOW TO ACCESS VIRTUAL FILM TITLES: