Museum Films is partnering with Kimstim to deliver the best of new world cinema straight to your living room! We’re pleased to share universally acclaimed festival award-winner, The Fever, a deeply resonant family drama set against the stunning backdrop of the Brazilian rainforest.
One $12 ticket is good for a 3-day pass to see The Fever. 50% of each sale supports OKCMOA and its mission. Passes available March 26. Click here to purchase a pass.
Questions about how to watch? Click here to learn more.
All passholders will also have access to exclusive, pre-recorded Q&As with director Maya Da-Rin and lead actors Regis Myrupu and Rosa Peixoto.
“Flush with sounds and images that bridge the angular sprawl of modern industrial spaces with the irrepressible fertility of the natural world, this gorgeously crafted film from Brazilian writer-director Maya Da-Rin conveys an intimate story of work, family, and inevitable change.
Forty-five-year-old Desana Justino (Regis Myrupu, winner of Best Actor at the 2019 Locarno Film Festival) moved from his home in the Brazilian wilderness to Manaus, a port city surrounded by the Amazon rainforest, some 20 years ago. Recently widowed, he works as a watchman at a cargo port and lives in a modest home on the outskirts of the city. His daughter Vanessa (Rosa Peixoto) has been given a scholarship to study medicine in Brasilia, but she worries about leaving her father in this urban environment to which he has never completely adapted. Vanessa’s unease is compounded when Justino begins to show symptoms of a strange fever, while rumours of a dangerous, perhaps supernatural animal circulate.
The Fever alternates alluringly between image-driven and verbal (both in Portuguese and Tukano) storytelling. Masterfully composed shots of dense, dark jungles and colossal cranes hoisting shipping containers elicit both awe and tension, while scenes such as the one in which Justino tells his grandson of a hunter nursed and sheltered by monkeys carry a sense of wisdom being shared across generations. Da-Rin blends an unobtrusive, observational approach with a uniquely luxuriant beauty and rhythm. The close bond between Justino and Vanessa, meanwhile, recalls Ozu’s Late Spring, leading to a deeply moving final chapter in which, for all the underlying concerns regarding the erosion of traditions, some rites of passage remain eternal.” -TIFF
