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This event has passed.View Current Events

2025 Wide Open Experimental Film Festival

April 4, 2025
April 4, 2025
- April 6, 2025
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OKCMOA is proud to be a venue for the 2025 Wide Open Experimental Film Festival, organized by the Film Department at Oklahoma City University. Inspired by Oklahoma’s wide-open landscape, WOEFF showcases experimental films that will open peoples’ eyes to the alternative forms, structures, and styles of film. | Free admission

A film still from Full Out directed by Sarah Ballard

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415 Couch Drive
Oklahoma City, OK 73102

405.236.3100

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Film Admission

Free admission | No tickets required 

Seating is limited and first come, first served. 

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Program 1: Openings
Friday, April 4 | 6 – 7:15 pm
Beginnings and invitations, thresholds and opportunities, eyes and ears — they’re all openings.

A film still from Бабушка Галя и Дедушка Аркадий // Grandma Galya and Grandpa Arkadiy by Anna Kipervaser (US & Ukraine)
Бабушка Галя и Дедушка Аркадий // Grandma Galya and Grandpa Arkadıy, Anna Kipervaser (US & Ukraine)

Бабушка Галя и Дедушка Аркадий // Grandma Galya and Grandpa Arkadiy, Anna Kipervaser, 4:24 (US & Ukraine)
Lomme’s garden, Eva Claus, 10:00 (Belgium)
One Hundred White Trucks, Brice Goldberg, 4:13 (US)
Honda Lounge, Kaitlyn Paston & Lindsey Arturo, 2:21 (US)
giroscopio, John Muse & Brendamaris Rodriguez, 8:04 (US)
Midsummer, Masha Vlasova, 2:37 (US)
Island, Susan DeLeo, 3:34 (US)
Portrait of a Forest, Minhyeong Kil, 5:03 (South Korea)
Eureka, Nora Zubizaretta, 5:59 (US)
In Passing, Passing Through, Paul Theodoroff, 11:38 (US)
Under the Midnight Sun, Mélissa Faivre, 9:52 (France)
A Sense of Nothing, Francisco Rojas, 4:13 (Chile)
a film with sound (take three), Josh Weissbach, 2:57 (US)

——

Program 2: Another
Friday, April 4 | 8 – 9:20 pm
There’s more than one way to see the world, so let’s see another.

A film still from Dream Machine Ballet by Pierre Ajavon (France)
Dream Machine Ballet, Pierre Ajavon (France)

Dream Machine Ballet, Pierre Ajavon, 3:46 (France)
The Specious Present, Sarah LeMieux, 6:57 (US)
Axiogenesis, Michèle Saint-Michel, 12:00 (UK)
Toward a Course Bend All, Luke Thompson, 12:40 (US)
spring rebirth at source du Pêcher, Emma Roufs, 1:40 (Canada)
Rule No. 5: Shadow Your Man Closely, Miro Manojlovic, 9:59 (Croatia)
Tlaloc (Lines Drawn in Water), Abinadi Meza, 8:43 (US)
The Visible Material, Ryan Marino, 8:00 (US)
The Currency – Sensing 1 Agbogblsohie, Elom 20ce, Musquiqui Chihying, & Gregor Kaspar, 16:12 (Germany & Ghana)

——

Program 3: Films for People
Saturday, April 5 | 4 – 5:25 pm
Prove you’re a human — the only good films are the films for people.

A film still from Heart Shaped by Grace Mitchell & Sofia Theodore-Pierce (US)
Heart Shaped, Grace Mitchell & Sofia Theodore-Pierce (US)

Heart Shaped, Grace Mitchell & Sofia Theodore-Pierce, 13:05 (US)
Barefoot Birthdays on Unbreakable Glass, Rebecca Jane Arthur, 18:18 (Belgium)
Gab, Hogan Seidel, 3:14 (US)
Tan/Vatan, Meenakshi Garodia & Homa Sarabi, 7:34 (US)
Fort Garry Lions Pool, Ryan Steel, 6:01 (Canada)
Gyrograph, Gitte Le Bruyn, 14:15 (Belgium)
Wilmington Escaped, Carrie Alicia Hawks, 5:47 (US)
garboface, Zona Gilreath, 4:32 (US)
The Year, Grace Mitchell, 10:00 (US)

——

Special Presentation: Kelly Gallagher In Person
Saturday, April 5 | 7 – 9 pm

Kelly Gallagher headshot
Kelly Gallagher

Filmmaker and animator Kelly Gallagher presents work from her innovative, award-winning
career, with insights into her DIY, egalitarian practice at the intersection of the personal and the
political.

——

Program 4: Break
Sunday, April 6 | 12:30 – 1:50 pm
Cracks in the boundary between the beauty and pain of our times; the border of reality and abstraction starts to break.

A film still from Niches by Janelle VanderKelen
Niches, Janelle VanderKelen (US)

Niches, Janelle VanderKelen, 7:10 (US)
Split Film, Cal Young, 9:59 (US)
Maspeth is America, Ben Kujawski, 6:59 (US)
Of All The Things We’ve Made, Lauren Bumgarner, 2:01 (US)
Living in a Miracle, Dorian Tocker, 2:13 (US)
Small Vessels, Matt Feldman, 7:00 (US)
Lunette, Mark Street, 8:23 (US)
Variations for light and shadow, Olivier Perriquet, 4:40 (Portugal)
Grapheme, Rennie Taylor, 4:00 (Canada)
Tetradic Truchet, Jeremy Bessoff, 3:00 (US)
Geométrika, Nicole Blundell, 4:00 (Canada)
In Threes, Natalia Ryss, 6:50 (UK)
Niagara, Michael Betancourt, 2:10 (US)
Dysfluency Circuit, Dave Rodriguez, 6:05 (US)
Floods Recede to Luxury, Kathleen Rugh, 4:00 (US)

——

Program 5: The End
Sunday, April 6 | 2:30 – 3:45 pm
In the face of mortality and apocalypse, perhaps through film we can understand, survive, and stave off the end.

A film still from Gan Tang, The Lake by Tianming Zhou (US & China)
Gan Tang, The Lake, Tianming Zhou (US & China)

Gan Tang, The Lake, Tianming Zhou, 13:48 (US & China)
a shifting pattern, Isaac Sherman, 6:00 (US)
Trace On My Body, Yue Hua, 3:10 (China)
Something Went Click, Caryn Cline, 3:40 (US)
Full Out, Sarah Ballard, 14:25 (US)
In My Head, Irina Tempea, 6:15 (Canada)
kaua’i ‘ō‘ō, Samy Benammar, 3:48 (Canada)
Plastic Aortas, Malic Amalya, 9:40 (US)
Crude Aesthetics, Işık Kaya & Thomas Georg Blank, 14:09 (US)

——

WOEFF2025 with slogan

OCU Logo

For more information about the Wide Open Experimental Film Festival, visit: wideopeneff.com
If you have questions, you can contact the festival team at wideopeneff@gmail.com
For more information about Oklahoma City University’s Film Department, visit okcu.edu/film
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415 Couch Drive
Oklahoma City, OK 73102

405.236.3100
Hours
Monday-Tuesday:CLOSED
Wednesday:10 am-5 pm
Thursday:10 am-9 pm
Friday-Saturday:10 am-5 pm
Sunday:12-5 pm

CLOSED: Monday and Major Holidays (Independence Day, Thanksgiving, Christmas Eve, Christmas Day, and New Year’s Day)

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