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Father Mother Sister Brother

January 9, 2026
January 9, 2026
- January 15, 2026
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Winner of the top prize at this year’s Venice Film Festival, Jim Jarmusch’s graceful, wryly funny triptych weaves the delicate details of family dynamics into a bittersweet, richly resonant meditation on parental legacy and the bonds that endure. Starring Adam Driver, Mayim Bialik, Cate Blanchett, Vicky Krieps, Indya Moore, Luka Sabbat, Tom Waits, and Charlotte Rampling.

A Film Still from Father Mother Sister Brother RESIZE 040 FMSB © Vague Notion 2024 Yorick Le Saux

Jim Jarmusch | 2025 | In English | 110 minutes | R (language) | DCP

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CC graphic  Please note: The screening of Father Mother Sister Brother on Sunday, January 11 at 12:30 pm will be presented with on-screen captions.

“For years, Jim Jarmusch has written, directed, and produced delicate, character-driven films, including Stranger Than Paradise, Down by Law, Only Lovers Left Alive, and Paterson. Winner of the Venice Film Festival Golden Lion, Father Mother Sister Brother is a perceptive study in familial dynamics, a feature film carefully constructed in the form of a triptych. The three chapters all concern the relationships between adult children reconnecting or coming to terms with aging or lost parents, which take place in the present, and each in a different country. Siblings Jeff and Emily (Adam Driver and Mayim Bialik) check up on their hermetic father (Tom Waits) in rural New Jersey; sisters Lilith and Timothea (Vicky Krieps and Cate Blanchett) reunite with their guarded novelist mother (Charlotte Rampling) in Dublin; and twins Skye and Billy (Indya Moore and Luka Sabbat) return to their Paris apartment to address a family tragedy. Father Mother Sister Brother is a kind of anti-action film, its subtle and quiet style carefully constructed to allow small details to accumulate—almost like flowers being carefully placed in three delicate arrangements. As always, Jarmusch brings his worlds to life with the essential assistance of his collaborators, including two masterful cinematographers, Frederick Elmes and Yorick Le Saux, and the brilliant editor Affonso Gonçalves.” -New York Film Festival

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415 Couch Drive
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