“Directed by Karl Freund — a German immigrant already esteemed for a cinematography career that included Metropolis and Dracula — The Mummy bears little relation to the stories of stumbling, bandage-wrapped killers that filled its sequels. Karloff plays Imhotep, an ancient Egyptian high priest awakened from his slumber by English archeologists. When he encounters Helen (Zita Johann), he becomes convinced she’s the reincarnation of his long-lost love, prompting him to attempt to kill her then resurrect her to join him in his half-dead existence. Less a horror film than a dreamlike depiction of obsession and the ways love and desire can seem like forces as powerful as death, Freund’s film served as added confirmation that, as with Frankenstein, a monster movie could deliver chills while exploring deeper themes. And, also as with Frankenstein, much of the emotional weight rests on the broad shoulders of Karloff, whose sad eyes suggest a willingness to do anything to end centuries of yearning.” –Keith Phipps, Vulture
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