“Perhaps Alfred Hitchcock’s greatest movie (1954). James Stewart plays a news photographer trapped in his Greenwich Village flat by a broken leg. Out of boredom he starts following the stories of his neighbors across the courtyard, all of which represent variations on the romantic issues of his own relationship with a former model (Grace Kelly) who’s trying to goad him into marriage. When he deduces that one of his neighbors (Raymond Burr) may have murdered his invalid wife, he moves into high gear as an amateur sleuth. Reader critic Dave Kehr called this “the most densely allegorical of Alfred Hitchcock’s masterpieces, moving from psychology to morality to formal concerns and finally to the theological. It is also Hitchcock’s most innovative film in terms of narrative technique, discarding a linear story line in favor of thematically related incidents, linked only by the powerful sense of real time created by the lighting effects and the revolutionary ambient soundtrack.” With Wendell Corey and Thelma Ritter at her very best.” -Jonathan Rosenbaum, The Chicago Reader
This series is presented in conjunction with Edith Head: Hollywood’s Costume Designer, organized by OKCMOA and presented by The Ann Lacy Foundation. On view from June 22, 2024, through September 29, 2024, the exhibition features a costume worn by Grace Kelly in Rear Window.
This screening is sponsored by Joann Spears.
