Screening independent, foreign language, and classic films on Thursdays through Sundays

Film

Film

  French Animation Showcase
Copresented by 
L'Alliance Française d'Oklahoma


Thursday, March 25, 7:30pm
Azur & Asmar
This poetic, fairy tale adventure weaves together themes of family, race, and culture within a visual landscape of incomparable beauty. Blonde, blue-eyed, Azur and black haired, brown-eyed Asmar are raised as brothers by Asmar’s gentle mother who tells them stories of her faraway homeland. Years later, Azur remains haunted by memories of the sunny land of his nanny and sets sail across the high seas to find the country of his dreams. Meanwhile, Asmar has grown into a dashing horseman. Reunited, but now as adversaries, the two brothers set off on a dangerous quest to find and free the Fairy of the Djinns. In French and Arabic with English subtitles. Director: Michel Ocelot 2006 France/Belgium/Spain/Italy 99min. PG 35mm
 
Watch the trailer

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  Friday & Saturday, March 26 - 27, 5:30pm
Mia and the Migoo
Created from an astonishing 500,000 hand-painted frames of animation, the gorgeous second feature from Jacques-Rémy Girerd is a breathtaking work of art. Figures are outlined in pencil and then bathed in rustic watercolors, with backgrounds that burst at the seams with painterly detail. The story is a thrilling eco-adventure that pits a plucky, wild haired young heroine Mia against profit-hungry developers with the future of life on earth in the balance. In French with English subtitles.
Director: Jacques-Rémy Girerd 2008 France/Italy 92min. NR 35mm
 
Watch the trailer

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Friday & Saturday, March 26 - 27, 8pm
Sunday, March 28, 2pm
A Town Called Panic
Hilarious and frequently surreal, the stop-motion extravaganza A Town Called Panic has endless charms and raucous laughs for children from eight to eighty. Based on the Belgian animated cult TV series, the film stars three plastic toys named Cowboy, Indian and Horse who share a rambling house in a rural town that never fails to attract the weirdest events. In French with English subtitles. irectors: Stéphane Aubier & Vincent Patar 2009 Belgium 80min. NR digital HD


Official Website



6th Film Preservation Festival:
Kurosawa Centennial Celebration

Born March 23, 1910 in Tokyo, Akira Kurosawa is arguably Japan's most influential filmmaker of the postwar period. Kurosawa has left an extraordinary legacy of thirty feature films over his fifty year career. The films in this program represent Kurosawa's adept storytelling ability in multiple Japanese and American film genres. Jidai-geki is akin to historical period drama, exemplified by Kurosawa's international breakthough film Rashamon in 1950 and later his seminal masterpiece Seven Samurai. The shomin-geki genre focuses on working class characters as in the quietly affecting Ikiru. Kurosawa boldly embraced literary adaptation in Throne of Blood from Shakespeare's Macbeth. In the gendai-geki or contemporary dramas, Stray Dog and High and Low, Kurosawa explores film noir in the form of the now ubiquitous police procedural. His films reveal a technical mastery of the medium, a deep humanistic streak, and a fascination with ethics and heroism that transcend cultures. On the occasion of the centennial of his birth, the Oklahoma City Museum of Art, in collaboration with University of Central Oklahoma Film Studies, presents this celebration of Kurosawa's rich contribution to world cinema.

Film prints courtesy of Janus Films.

  Thursday, April 1, 7:30pm
Rashômon
Brimming with action while incisively examining the nature of truth, Rashômon is perhaps the finest film ever to investigate the philosophy of justice. Through an ingenious use of camera and flashbacks, Kurosawa reveals the complexities of human nature as four people recount different versions of the story of a man’s murder and the rape of his wife. Toshiro Mifune gives another commanding performance in the eloquent masterwork that revolutionized film language and introduced Japanese cinema to the world. Director: Akira Kurosawa 1950 Japan 83min. NR 35mm
 
  Friday, April 2, 5:30pm
Throne of Blood
One of the most celebrated screen adaptations of Shakespeare into film, Akira Kurosawa’s Throne of Blood reimagines Macbeth in feudal Japan. Starring Kurosawa’s longtime collaborator Toshiro Mifune and the legendary Isuzu Yamada as his ruthless wife, the film tells of a valiant warrior’s savage rise to power and his ignominious fall. With Throne of Blood, Kurosawa fuses one of Shakespeare’s greatest tragedies with the formal elements of Japanese Noh theater to make a Macbeth that is all his own—a classic tale of ambition and duplicity set against a ghostly landscape of fog and inescapable doom. Director: Akira Kurosawa 1957 Japan 109min. NR 35mm
 
 

Friday, April 2, 8pm
Ikiru
Considered by some to be Akira Kurosawa’s greatest achievement, Ikiru presents the director at his most compassionate—affirming life through an exploration of a man’s death. Takashi Shimura portrays Kanji Watanabe, an aging bureaucrat with stomach cancer forced to strip the veneer off his existence and find meaning in his final days. Told in two parts, Ikiru offers Watanabe’s quest in the present, and then through a series of flashbacks. The result is a multifaceted look at a life through a prism of perspectives, resulting in a full portrait of a man who lacked understanding from others in life. Director: Akira Kurosawa 1952 Japan 143min. NR 35mm

 

Saturday, April 3, 5:30pm
Stray Dog
A bad day gets worse for young detective Murakami when a pickpocket steals his gun on a hot, crowded bus. Desperate to right the wrong, he goes undercover, scavenging Tokyo’s sweltering streets for the stray dog whose desperation has led him to a life of crime. With each step, cop and criminal’s lives become more intertwined and the investigation becomes an examination of Murakami’s own dark side. Starring Toshiro Mifune, as the rookie cop, and Takashi Shimura, as the seasoned detective who keeps him on the right side of the law, Stray Dog (Nora Inu) goes beyond a crime thriller, probing the squalid world of postwar Japan and the nature of the criminal mind. Director: Akira Kurosawa 1949 Japan 122min. NR 35mm

 

Saturday, April 3, 8pm
High and Low
Toshiro Mifune is unforgettable as Kingo Gondo, a wealthy industrialist whose family becomes the target of a cold-blooded kidnapper in Akira Kurosawa’s highly influential High and Low (Tengoku to jigoku). Adapting Ed McBain’s detective novel King’s Ransom, Kurosawa moves effortlessly from compelling race-against-time thriller to exacting social commentary, creating a penetrating portrait of contemporary Japanese society. Director: Akira Kurosawa 1963 Japan 143min. NR 35mm
 

  Sunday, April 4, 2pm
Seven Samurai
One of the most beloved movie epics of all time, Akira Kurosawa’s Seven Samurai (Shichinin no samurai) tells the story of a sixteenth-century village whose desperate inhabitants hire the eponymous warriors to protect them from invading bandits. This three-hour ride—featuring legendary actors Toshiro Mifune and Takashi Shimura—seamlessly weaves philosophy and entertainment, delicate human emotions and relentless action into a rich, evocative, and unforgettable tale of courage and hope. Director: Akira Kurosawa 1954 Japan 207 min. NR 35mm
 



Opera in HD from Barcelona
Thursday, April 8, 7pm
Il Trovatore
Verdi’s Il Trovatore, or “the troubadour,” is the story of star crossed lovers, mixed-up infants, and acts of vengeance. Founded in 1847, the Gran Teatre del Liceu has retained its role as a culture and arts centre throughout its history. A symbol of the vitality and energy of Barcelona, the Gran Teatre del Liceu has always been a powerful stimulus to artistic creativity in Spain. It aims to innovate with ideas that stimulate the identification of opera with a creative, living art form that is open to new audiences. The Liceu’s production features some of the world’s greatest names such as conductor Marco Armiliato, and singers Fiorenza Cedolins, Marco Berti, and Roberto Frontali, Sung in Italian with English subtitles.
 
Running time 2hrs. 45min. including one intermission
 
SPECIAL PRICE: $20 Adults/ $18 Members, Students, Seniors. Call 405-278-8237, Tuesday through Saturday, 10am to 5pm. Or purchase online

 



Friday & Saturday,
April 9 – 10, 5:30pm & 8pm
Sunday, April 11, 2pm
The Secret of Kells
Magic, fantasy and Celtic mythology come together in a sweeping story about the power of imagination and faith to carry humanity through dark times. Young Brendan lives in a remote medieval outpost under siege from barbarian raids. But a new life of adventure beckons when a celebrated master illuminator arrives from foreign lands carrying an ancient but unfinished book, brimming with secret wisdom and powers. To help complete the magical book, Brendan has to overcome his deepest fears on a dangerous quest that takes him into the enchanted forest where mythical creatures hide. It is here that he meets the fairy Aisling, a mysterious young wolf-girl, who helps him along the way. But with the barbarians closing in, will Brendan's determination and artistic vision illuminate the darkness and show that enlightenment is the best fortification against evil? Director: Tomm Moore 2009 Ireland/France/Belgium 75min. NR 35mm
 
Official Website
 

Thursday, April 15, 7:30pm
Friday & Saturday, April 16 – 17, 5:30pm & 8pm
Sunday, April 18, 2pm
The White Ribbon
A village in Protestant northern Germany, 1913-1914. The story of the children and teenagers of a choir run by the village schoolteacher, and their families: the baron, the steward, the pastor, the doctor, the midwife, the tenant farmers. Strange accidents occur and gradually take on the character of a punishment ritual. Who is behind it all?
Director: Michael Haneke 2009 Austria/Germany/France/Italy 144min. R digital HD  

Official Website

Thursday, April 22, 7:30pm
Friday & Saturday, April 23 – 24, 5:30pm & 8pm
Sunday, April 25, 2pm
Me and Orson Welles
Based in real theatrical history, Me and Orson Welles is a romantic coming-of-age story about a teenage actor named Richard (Zac Efron), who is cast in a production of Julius Caesar directed by a young director named Orson Welles (Christian McKay). This 1930s-era film depicts the rollercoaster week leading up to opening night at Welles’ newly-founded Mercury Theatre in New York City. Richard mixes with everyone from starlets to stagehands in behind-the-scenes adventures, as Welles stakes his career on a risky production. Director: Richard Linklater 2009 GB/USA 114min. PG-13 35mm

Official Website

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New Jewish Cinema

Copresented by the
Jewish Federation of Oklahoma City

 
Thursday, April 29, 7:30pm;
Friday, April 30 & Saturday, May 1, 8pm
Ajami
Set on the streets of Jaffa’s Ajami neighborhood – a melting pot of cultures and conflicting views among Jews, Muslims and Christians – this powerful drama is told through the eyes of a cross section of the city’s inhabitants: a young Israeli fighting a criminal vendetta against his family, a Palestinian refugee working illegally to finance a life-saving surgery, a Jewish police detective obsessed with finding his missing brother, and an affluent Palestinian dreaming of a future with his Jewish girlfriend. As their stories intersect we witness a dramatic collision of different worlds and the consequences of enemies living as neighbors. In Arabic and Hebrew with English subtitles. Official Academy Award Nominee for Best Foreign Language Film. Directors: Scandar Copti & Yaron Shani 2009 Germany/Israel 120min. NR 35mm. Official website
 

Friday, April 30 & Saturday, May 1, 5:30pm
Promised Lands
Susan Sontag’s only documentary film, Promised Lands scrutinizes the ongoing Arab-Israeli conflict and the growing divisions within Jewish thought over the question of Palestinian sovereignty. The film was shot in Israel during the final days and immediate aftermath of the 1973 Yom Kippur War. Sontag observes moments from modern Israel: desert landscapes, patrols of roadside soldiers, old men and women at the Wailing Wall, Israeli grocery stores and movie theaters, the Jerusalem War Cemetery, a military psychiatric ward, and a wax museum depicting the official history of the state. The film is undoubtedly one of Sontag’s most incisive examinations of contemporary Jewish consciousness, and she considered it her most personal film. 25th Anniversary re-release. Director: Susan Sontag 1974 Poland/France 87min. NR 35mm

  Sunday, May 2, 2pm
Four Seasons Lodge
From the darkness of Hitler’s Europe to the lush mountains of New York’s Catskills, Four Seasons Lodge follows a community of Holocaust survivors who come together each summer at their beloved bungalow colony to dance, cook, fight, flirt and celebrate their survival. This remarkable tribe of lodgers, many of whom are fast disappearing, come together for one final summer as the fate of their colony hangs in the balance. What emerges is a film about the passion for living, tightly bonded friendships, and the quest for peace in spite of haunting memories. In English, Yiddish and Polish. Director: Andrew Jacobs 2008 USA 97min. NR digital HD. Official website

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Friday & Saturday, May 7 - 8, 5:30pm & 8pm
Sunday, May 9, 2pm
Mid-August Lunch
This charming tale of good food, feisty ladies and unlikely friendships takes place during a very Roman holiday. Broke, and armed with only a glass of wine and a wry sense of humor, middle-aged Gianni resides with his 93-year-old mother in their ancient apartment. The condo debts are mounting, but if Gianni looks after the building manager’s mother during the Pranzo di Ferragosto (Italy’s biggest summer holiday, and the Feast of the Assumption), all will be forgiven. Then the manager also shows up with an auntie, and then a doctor friend appears with his mother in tow... Can Gianni keep four such lively mamas well fed and happy in these cramped quarters? Mid-August Lunch is both warmly vibrant family drama and delicately balanced comedy of manners. In Italian with English subtitles. Director: Gianni Di Gregorio 2008 Italy 75min. NR digital HD. Official website 
 

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  Friday & Saturday, May 14 - 15, 5:30pm & 8pm
Sunday, May 16, 2pm
The Art of the Steal
Don Argott’s gripping documentary The Art of the Steal chronicles the long and dramatic struggle for control of the Barnes Foundation, a private collection of art valued at more than $25 billion. In 1922, Dr. Albert C. Barnes formed a remarkable educational institution around his priceless collection of art, located just five miles outside of Philadelphia. Now, more than 50 years after Barnes’ death, a powerful group of moneyed interests have gone to court for control of the art, and intend to bring it to a new museum in Philadelphia. Standing in their way is a group of Barnes’ former students and his will, which contains strict instructions stating the Foundation should always be an educational institution, and that the paintings may never be removed. Will they succeed, or will a man’s will be broken and one of America’s greatest cultural monuments be destroyed? Director: Don Argott 2009 USA 101min. NR 35mm. Official Website

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