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Nightmare Alley: 2022 Oscar Preview

March 25, 2022
March 25, 2022
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Nominated for four Academy Awards®, including Best Picture, the latest marvel from The Shape of Water's Guillermo del Toro offers a hypnotically stylish take on Edmund Goulding’s 1947 carnival-set film noir starring Bradley Cooper and Cate Blanchett. 

Nightmare Alley 10 wide

Guillermo del Toro | 2021 | In English | 150 minutes | R (for strong/bloody violence, some sexual content, nudity and language) | DCP

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Noble Theater

415 Couch Drive
Oklahoma City, OK 73102

405.236.3100

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“The world is one big carnival, and we’re all just suckers — or marks, in the parlance of the traveling grifters so effective at fleecing those poor rubes who are not with it — in Guillermo del Toro’s Nightmare Alley. A perfect match of material to auteur, William Lindsay Gresham’s pulpy 1946 novel and the shockingly dark studio picture it inspired give the helmer, hot off his Oscar win for The Shape of Water, a chance to go full film noir, resulting in a gorgeous, fantastically sinister moral fable about the cruel predictability of human nature and the way entire systems are engineered to exploit it — from carnies and con men to shrinks and Sunday preachers.

When charismatic but down-on-his-luck Stanton Carlisle (Bradley Cooper) endears himself to clairvoyant Zeena (Toni Collette) and her has-been mentalist husband Pete (David Strathairn) at a traveling carnival, he crafts a golden ticket to success, using this newly acquired knowledge to grift the wealthy elite of 1940s New York society. With the virtuous Molly (Rooney Mara) loyally by his side, Stanton plots to con a dangerous tycoon (Richard Jenkins) with the aid of a mysterious psychiatrist (Cate Blanchett) who might be his most formidable opponent yet.

From re-creating a vintage circus with its pickled animal fetuses and hand-painted sideshow banners to evoking the stratospheric heights to which this social climber aspires, the movie ranks as the most stunning modern noir to behold since Brian De Palma’s The Untouchables. Dark as del Toro’s vision may be, it’s a glorious homage to an American experience all but lost to time. For centuries, carnivals of some kind offered an exotic alternative to small-town life, as customers willingly sacrificed their quarters for illicit thrills. And now that experience lives on, immortalized in a cautionary tale for the ages, its arc an elegant full circle, like the giant Ferris wheel that signals from afar that something wicked this way comes.” -Peter Debruge, Variety

*Oscar-nominated for Best Picture, Cinematography, Costume Design & Production Design

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415 Couch Drive
Oklahoma City, OK 73102

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Oklahoma City, OK 73102

405.236.3100
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